Tuesday, 18 March 2014

Ain't It Wunnerful?



Jennospot 116  Ain't It Wunnerful?

Cripes, ain't it wunnerful? There ain't no doubt about it. An' it don't matter wevver it's somefink wots jus' come new, or wevver it's over someone or somefink wot yew've known ever since the cows 'ave come 'ome an' been milked. There ain't nuffink really wot's better; leastways, Oi ain't found out yet wot it could be. Yeah, that's roight… Oi'm talkin' about love

Love is all about carin', an' sharin', an' about bein' there jus' a-grinnin' an' a-bearin'-up when fings don't go the way they oughtter. It's about bein' able ter say wot yew really fink, quite darin' like really, 'cos yew know that the person wot's listenin' wot get shirty at yew. An' it's about calmin' fings down when somebody starts bangin' around an' gettin' a bit 'ot under the collar. Cripes, love is getting out the cups, an' brewin' some tea, when somebody's feelin' a bit down; an' Oi don't mean when it's yew wot's down.

Love is when yew turn yerself inside-out an' upside down ter get over a problem wot somebody's 'aving, when it ain't really yer problem. 'Cos love c'n always make a way ter find the best in any kind o' situation.

Love is finkin' of ovvers, when yew'd rather fink of yerself. It's givin' out a smile, even when yew don't feel much loike smilin'.

Love makes a diff'rence ter somebody's day, if'n yew see wot Oi mean.

So 'ave yerself an 'appy day,

Wiv luv from Jenno

 

Monday, 24 February 2014

Moi Village o' Widdlin'ton



Jennospot 115  Widdlington

The village o' Widdlin'ton, where Oi live, is a noice little place; that is, if'n yew don't take too much notice of some of the people wot live there.

It's got a church, a chapel, a post office, a parish 'all, two pubs, a garage (wot ain't open 'cos of the war) an' six shops. The post office is run by Phoebe's muvver, but Phoebe an' me don't get along, so Oi ain't goin' ter show yew 'er picture.

The biggest shop in Widdlin'ton is Mr Hibberd's General Store. Mr Hibberd is a corporal in the 'Ome Guard, wot takes up a good bit of 'is toime nowadays, so 'is shop isn't always open. Still an' all, 'ee's mostly real obligin', 'cept that 'ee's always puttin' 'is spectacles down someplace where 'ee can't find 'em again. 'Ee don't see too good wivvout 'em.

There's over fings too, loike the Mill by the river, an' the Manor wot stands in a big private park. The Mill ain't workin' no more; not since the top bit got burned out jus' before the war, but there's a good swimmin' place just downstream of it.

Oi ought ter mention that there's two schools. Oi go ter one of 'em, wiv moi bruvver. The ovver one's fer the older kids, so Oi ain't goin' ter say nuffink more about it, not 'ere any'ow.

One of the pubs is called the Cock Inn. It's got a picture of a red rooster 'anging from a post by the front door. Whenever "Dummy" gets ter earn a shillin' or two, 'ee goes off ter The Cock, an' when 'ee comes out again, 'ee sometimes gets ter singin' an' shoutin' in The Street, wot gets 'im shut in the lock up fer a while.

The church is real old. It's called St Marys. There's a statue of 'er in a niche over the main porch. Yew wouldn't know it were 'er, 'cept that she's got a baby in 'er arms, cos she's been standin' up there so long, she's all worn away from the weather. Still an' all, she's the only one wot ain't lost 'er 'ead. 'cos there's lots o' ovver statues in various places around the church, but not one of 'em as got an 'ead. They say as 'ow it were Oliver Cromwell wot knocked their 'eads off four 'undred years ago, but wot 'ee 'ad against statues Oi dunno; after all, they're statues of saints, wot is more'n could be said of some o' them folk wot live in the village.

Any'ow, if'n yew'd loike ter know more about moi village, yew c'd always take a look at: http://www.peterstjohn.net/index_18.htm an' then yew c'd start clickin' around on the map. If'n yew want, that is. Yew c'd even come an' visit, but that'd take a bit more organising…





Thursday, 13 February 2014

Mountain Train


Jennospot 114  Mountain Train


By special request, Oi've been asked ter put a poem up on moi blog; so 'ere it is: It's by Peter St John. Oi 'ope yew loike it. Any'ow there's a noice picture...


Mountain Train












Chuffing upward from the plain

Skyward climbs the charm-like train;

Pinion tic tac on the rack.

Watch-like, clock-like, mounts the track;

Mountain goat with iron wheels;

Rounding bends with squeaks and squeals;

Tunnelling the buttress through:

Just another cheese to chew.

The valley seems a toy-town place

Seen from heaven's peer-down space.

Droll-doll chalets, sprinkled sparse,

Spick upon the cow-cud grass.



Tie by tie, the rails astride,

Ladder up the mountain side;

Thinly-lean, a two-pronged harrow,

Swissly-clean and spindly-narrow,

Parallel they never meet

Except... up in the sky, to greet

A Gruyère moon; looming there

In the crystal Swiss-wine air.

Or at the sun, join in one,

Fusing from a switchback run

 On an undulating way.


Pop-stop eardrums feel the rise;

We ride together to the skies.

No more trees; they're left behind...

High, the wind is too unkind.

Squeezing on a freezing bridge;

Ease along a heart-stop ridge;

Where peaks in this vicinity

Point us to infinity.

Down below all nods and plods:

At Heaven's portal we are gods.

And god-like, one would higher go;

Higher than the peaks and snow.


But... down one must towards the dust,

In wonder-lusting train unjust.

Entrusting Hope to justify

The return ticket from the sky.

The single strand now splits in two;

Divides One into me and you.

Down we rumble, charnel bundle...

Mindful as we earthwards trundle

Of rapture; but euphoria fails...

Fading on descending rails.

Below the air is thick.

Wednesday, 15 January 2014

The Essentials o' Cricket


Jennospot 113  The Essentials o’ Cricket

 Moi fav'rite book, wot's called "Gang Loyalty, 'as a lot in it about the English game o' cricket. P'raps there's some people readin' this, 'specially them wot live in America, wot ain't never played cricket so Oi thought Oi tell yew all about it 'ere. The trouble is, that cricket's easier ter play than wot it is ter describe.

 O' corse, all British boys are born knowin' all there is ter know about cricket. Fer girls it's different; they 'ave ter nut it out fer themselves. That's one reason wot accounts fer girls bein' so much more intelligent than boys.

 Any'ow, cricket is a bat an' ball game wot is played between two teams of eleven people, (wot is called a "side"). One side 'as a bat, an' the ovver side 'as a ball. Only yew can play wiv fewer than eleven, loike wot we often do, 'cos it ain't always easy ter get tergevver eleven kids wot want ter play. The game is usually played on grass, 'cept that, in the schoolyard, it's on gravely dirt, 'cos there ain't no grass, except along the edge of the wall, 'cos the caretaker ain't got no toime ter spare ter go pulling the grass out.

 The place where it's played is called the "Field" wot strictly speakin' ain't correct, 'cos a field is wot gets ploughed up, wot ain't cricket fer cricket, if'n yew get moi meanin'. Any'ow, in the middle o' this "field" yew knock in three sticks quite close ter one-anuvver, wot are called stumps, only they ain't really stumps 'cos they're quite long, about up ter yer waist. An' then, at the distance of a "chain" (wot is 22 yards in case yew don't know) yew knock in three ovver stumps. Only when we play, it ain't 22 yards, 'cos that's a bit long, 'specially fer the little-uns, so we usually judge it by eye; about 15 yards say. Not only that, if'n it's in the schoolyard an' it's too long, the ovver kids, wot ain't playin', often run across between the stumps, wot ain't good fer the concentration o' the players.

 When yew've got yer three stumps set up, it's called a "wicket". On top of the three stumps yew put two short sticks called "bails". Actually, it's them wot ought ter be called stumps, 'cos they're real short an' stumpy. Only they're called bails. They're there so's yew c'n tell when the

wicket 'as been 'it by the ball, 'cos then they fall off. Only we don't 'ardly never play wiv the bails on, 'cos they're a bit fiddly, an' always get lost. Besides the wind blows 'em off an' all, specially fer the girls, wiv their skirts. An' all that ain't got nuffink ter do wiv bein' bailed out.

 Any'ow, the team wot 'as the bat, puts a man in front of each wicket wiv a bat. Yeah, that person is still called a "man", even if'n it's a girl. Talk about discrimination! That there "man" 'as ter stand between the wicket an' a mark on the ground just in front of the wicket, wot's called the "crease". While, 'ee or she is in that little space, they're safe, an' can't be got out. Their job is ter defend the wicket, an' prevent it from bein' hit by the ball wot the ovver team 'as.

 P'raps Oi oughtta explain, than when we play, there ain't but one wicket, 'cos wiv just a few of us, ev'rybody plays just against the one wot 'as got the bat— get it? An instead o' the ovver wicket, we put in only one stump, or even just a gas-mask box, ter mark the place.

 The side wot 'as got the ball, 'as the job o' sendin' it down from the ovver wicket (or gas-mask box accordin' ter circumstances) towards the one wiv the bat. That's called a "delivery". Only yew can't deliver the ball any ol' way wot yew loike; yew've got ter "bowl" it, or it don't count. Bowlin' means that yew got ter deliver the ball wiv a straight arm that goes over yer 'ead by the ear. If'n yew jus' throw it, it's called "chuckin'", an' the umpire calls "no ball". Only we don't never 'ave no umpire, wot can lead ter disputatious argument, wot ain't cricket. Any'ow, the one wiv the bat c'n still score off a no ball, even if'n 'ee can't be bowled out wiv one.

 The batsman or batswoman (wot ain't never called a "batter" by the way) c'n score by 'ittin' the ball, an' then runnin' as far as the ovver wicket (or gas-mask box), wot counts one run. If'n the ovver team gets ter the ball an throws it back ter 'it the wicket while the batswoman is between the crease an' the ovver wicket, then they're out, an' someone else c'n 'ave a go at battin'. They're also out if'n the ball wot the batsman 'its, is caught afore it 'its the ground. Oi 'ope that's clear.

 There's also some special scorin'. If the batsman (or woman) 'it's the ball ter the edge o' the "field" it's called a "boundary" an' counts four runs, but nobody 'as ter run, 'cept the person wot 'as ter go an' fetch the ball. If'n the ball goes ter the edge of the field afore it touches the ground, it counts six runs. O' corse, that don't 'appen very often.

 When we play in the schoolyard, there ain't no "field", properly speakin', but it counts as a boundary, if'n the ball goes as far as the wall. A six-'it, is a ball wot goes over the wall, loike inter the infants' schoolyard. But yew 'ave ter watch out 'ittin' inter the infants' yard, 'cos if'n it 'it's one o' the little-uns an' they make a fuss, yew c'n get clobbered by the 'eadteacher. Some o' the infants are liable ter make a fuss even if'n the ball don't go anywhere near 'em, 'cos that way they c'n get get sweets fer keepin' quiet; the little devils. So it's best not ter 'it any balls in that direction.

 So that's about all there is ter know about the essentials o' cricket. There's lotsa ovver rules natch, loike 'ow yew play when the wicket is chalked on the wall, but Oi reckon 'as 'ow Oi'v already covered the main points. If'n it ain't clear, yew c'n allus ask me fer details, or go ter any British boy; they're born wiv it, loike Oi said; even moi daft bruvver…

 Luv from Jenno.

 By the way, there's a few pictures of us playin' cricket in moi e-book, "Jenno's Widdlin'ton". It's free: http://www.smashwords.com/b/128813

 An' then there's Peter St John's books, specially "Gang Loyalty", wot 'as got quite a lot in it about cricket, an' ovver good sports an' all: http://www.amazon.com./dp/B0054DFQ2A or paperback http://www.amazon.co.uk/dp/1781321132.


Sunday, 5 January 2014

Yew're Real Special


Jennospot 112  Yew're Real Special
 
Sometimes the day begins wiv a clear mornin', an' be'ind all them little indoor sounds of life startin' up, it's all kind of quiet outside; loike when there's snow. That's when Oi reckon as 'ow it's a good toime ter  get a-hold o' the deep silence wot is be'ind all them little mischievous interferin' sounds o' livin'.

It's the moment when yew c'n find a sort of tremblin' space inside yerself, a sort of space wot yew c'n almost touch, wot yew c'n foller down an' down inside yerself, to where it's always silent, 'cept fer yer breathin' an' the beat of yer 'eart. It's the space where yew live; it's the space wot is really yew.

Fer me it's a roight quiet place, a still place. It's a place wot goes beyond sound, where Oi c'n be jus' me. It's where Oi c'n be jus' me wivvout no name, wivvout nuffink, except jus' me.

In that place, Oi c'n be 'appy just enjoyin' bein' wiv mesself. An' if'n Oi keep real still in this silent part o' mesself, Oi c'n start feelin' as 'ow strong Oi c'n be, 'cos Oi c'n fill mesself up wiv that kind of force wot comes from jus' bein' alive. Oi c'n fill mesself up wiv the sort o' power wot comes from the silence o' mesself an' from ev'ryfink else wot is.

When Oi'm in that place, Oi don't weigh nuffink; an' that's real relaxin' loike. When Oi'm in that place, Oi c'n know, wivvout really finkin' about it, wot a 'wunnerful creative sort o' fing Oi really am, 'cos Oi c'n touch ev'ryfink wot is, jus' by lookin' out from be'ind moi eyes. An' then Oi know that livin' is somefink wot is full of energy. An' when Oi know that, then evr'yfink starts lookin' new, jus' loike as though Oi were seein' it fer the very first toime; 'cept that it ain't the first toime, an' that makes it even better.

Cripes, then Oi know that Oi'm special, jus' loike wot everybody an' ev'ryfink else is Yeah, ev'ryfink's special. Yew too; real special…

Saturday, 14 December 2013

Half-Past Five


Jennospot 111  Half-Past Five

Jus' recently a poem, wot were writ by PStJ, got mentioned on Facebook. It's a weird sort o' poem, an' it's a bit long, but it seems as 'ow some people reckon it's okay. If'n yew don't loike it there's no need ter go a-blamin' me, 'cos there ain't no accountin' fer stuff wot ovver people write. Any'ow 'ere it is:
 

         Half-Past Five

No time for dreams – the time is now.
Eternal now that cannot change.
A frozen moment – yet somehow
The sun moves on, familiar, strange.

In windy silence, tempest calm,
The trees stand still and shout their lives.
Around is light without alarm
And fearful joyfulness survives.

All sky-blue bright the dark is light
That gleams and glows in dark that grows –
Subdues the form – the day is night
And everything together flows

In symbiotic freedom fixed.
Together linked and yet apart
All individually mixed
Alone together, end and start.

The ploughman, on his tractor, dreams
Of half-past-five and then his beer.
The gulls wheel round and each one seems
A feasting, feathered buccaneer. 

Competing, squabbling, hovering still
While swooping in the static breeze.
They scream aloud with silent bill
And gleam between the glowing trees. 

As one they dive – all aerobatic
Around the furrowing ploughman go.
A single creature singly static
So swiftly swirling and so slow. 

Then time itself takes up the theme
To tune its beat to ever now
And harmonize the ploughman's dream.
Plough on, plough on and ever plough. 

Time's furrow on the ploughman's brow
Is no more than a seagull's care
To furrow, burrow, know not how,
While time stands still on windy air. 

For time is wind and tree and bird
And ploughman dreaming of his beer
And seagull's scheming dreaming heard,
And hope and love and screeching fear. 

With screaming seagulls, gleaming trees
And dreaming ploughman in the sun.
All time stands still – its vortices
Together flow and make all one. 

That battered tractor, rattling wreck–
While breaking up a ploughman's dream
And shaking up the ploughman's neck–
Is scarce a chariot supreme. 

Through integrality's one eye
Is seen the tractor's elegance.
It's like a cunning jewellery
All sparkling in its radiance. 

For each translucent element
In fine and stately motion, weaves
A linked and wondrous complement
Where each the other's dance achieves. 

Each dancing part proclaims a name
And where it came from, each one knows.
See each component part aflame;
Transforming fire on substance pose. 

So glance around – no need to look
Where they from eggs the seagulls hatched.
The ploughman's life an open book
With all the details finely matched. 

Each seagull sees a squirming worm
Go worming through the teeming earth.
And teeming, scheming with the germ
Of ever-living, endless birth 

And death; in life's great library
Where every word, unchangeable,
Is fixed and evolutionary
In language clear, ineffable. 

And there beyond Andromeda
Unseen, the stars revolve and fade.
There see, celestial space joy-rider,
On time's eternal path remade. 

One finite leap to boundless space.
Where every book on every shelf
Is known to those who know the grace –
The secret key to time and self. 

One transcendental ‘now’, astride
All individual competence
That brings awareness qualified
For complete being; deep, intense. 

For all is known and clear as glass.
And all revealed and nothing hid.
For all is linked, no thing can pass
A coherence so clear, limpid. 

Time flowing not – yet ever there.
Time ploughing on and furrowing.
Time for a dream – to be aware.
Time dreaming on a seagull's wing. 

All clocks converge, their treacly ticks
Suspend the bubbles in the beer.
It's half-past five – or is it six?
Is ‘now’ far off, or is it near?
 

Oi jus' thought Oi'd loike ter share it wiv yew, if'n yew've got the toime; wiv luv from Jenno.

If'n yew'd loike ter know more about PStJ (but Oi won't 'old it against yew if'n yew don't) yew could go, if'n yew want, ter: http://www.peterstjohn.net/index.htm

Saturday, 7 December 2013

Makin' a Soapbox Cart


Moi soapbox cart is ready fer racin'



It ain't very difficult ter make a soap-box cart, provided yew've got a box an' some good wheels. The best kind 'ave got ball-bearings rather than ordin'ry plain bearings. Yew c'n sometimes get 'em off'n an old perambulator (Wot a lovely word! But Oi fink that in America it's wot they call a "baby carriage"). The underneath part is loke wot Molly 'as in the picture 'ere. My own cart, "Emmeline P", 'as got pram wheels too, wot come off my perambulator after my daft bruvver let it roll down the steps in front of ol' farmer Catchpole's tractor… The wheels were still okay though.

Moi cart is named after that there Mrs Emmeline Pankhurst, wot chained 'erself ter railin's an' went ter prison, an' all, so's women c'd get ter vote in England. A right great lady she were, even though she weren't very big; loike me. She's got 'er statue in a little park roight by the railin's o' Parliament 'Ouse, near that woppin' great clock wot they call Big Ben, though roightly speakin' it's the bell wot sounds the hour wot is really Big Ben. Any'ow, moi cart's called Emmeline P; loike yew c'n see in the picture 'ere, an' nat’rally, it's the fastest cart in Widdlin'ton, even if it's me wot says so.

O' corse, yew're also goin' ter need a good wooden soap-box. Yew used ter be able ter get one from the local store; they were only too glad ter be rid of 'em. It's probably a bit 'arder ter get one these days, wot wiv the war, an' crises, an' modern packagin', an' all that sorta fing. Still an' all, yew c'n always make a box out of a plank or two; in which case, it's a good idea ter use somefink a bit thinker, 'cos, when all's said an' done, them usual soap-boxes are just a bit flimsy. They don't stay tergevver so well if yer cart 'appens ter turn over; wot ain't so rare.

 
A real important part of the cart, the long plank wot 'olds everyfink tergevver, is wot we call the "Spine". That's gotta be real thick, three-quarters of an inch at least. If it's any thinner, it'll be all springy, loike wot them big American cars are, an' then yew c'n get kinda seasick when it bounces up an' down over the bumps. Besides, it's gotta be solid enough ter take the 'ole at the front fer the steerin' bolt. If'n it's too thin, yew'll lose the front axle the very first toime yew ride down over a curbstone. See wot Oi mean?

When Peter an me made moi Emmeline P, Oi come along wiv a tin full o' nails, only Peter said that nails weren't no good fer makin' carts. Yew 'ave ter screw 'em, or better still, bolt 'em tergevver, 'cos nails work loose pretty quick. Oi pass the tip on. Yew don' 'ave ter thank me fer it, 'cos Oi didn't know it either at the toime. The best sort o' bolts, are them wiv a little square under the ‘ead. They call 'em "coach" bolts. Yew need ter fix 'em wiv a washer under the nut, ovverwise it 'urts the wood, an' then they come loose as quick as yew c'n say Akron Hill.

If'n yew use screws ter fix the box ter the spine, then it's best ter put some glue on as well. Then it won't never come apart. The wheels, complete wiv axle, yew c'n fix underneath wiv "U" bolts. Oi reckon as 'ow Oi don't 'ave ter describe wot a "U" bolt is, 'cos it looks exactly loike wot it's called. An' words that'd be useful fer everyfink, don't yew reckon?

One last fing: If'n yew can, troi ter get a real, proper, bushed pivot bolt ter fix the steerin' bar wiv. It'll give yer cart a roight solid directional (Oi loike that word!) feel. It c'n give yew a worfwhile advantage (yeah— an even better word!) in a pushed start, or in an emergency. Besides, it don't work loose, neither.

Go well. 'Appy cartin'!

Wiv love from Jenno.
 

P.S .If'n yew'd loike more information about 'ow ter build a cart, yew could do worse'n ter look at Chapters 10 an' 11 o' "Gang Loyalty". It ain't 'xactly a text book but there's lot's o' useful information there wot p'raps yew'll find amusin'. http://www.amazon.com/dp/1781321132